I have completed twenty paintings for the Children’s Hospital!
The process of these ten paintings (11-20) have been a balance between what I want to paint and what I think the committee will like. I felt pretty sure of myself while painting the first 10. Then, some of the paintings were returned. That had never happened to me before. Originally, I was asked to paint diverse people and happy paintings. When the paintings were returned, I was asked to change the skin color on all of the children that I painted to rainbow colors. I tried to do this to make everyone happy. I changed some of the paintings, but it wasn’t feeling like my art.
I am feeling a little insecure and that makes it harder to paint. For the last 10, I need to paint what I want within the new parameters and not stress about it. So far, I painted a shotgun house and am working on a rainbow colored tween. I started to miss painting faces so much.
Here are 8 of the next ten. I accidentally erased Einstein Alpaca and The Bee. I especially liked the alpaca.
The heat index is well over 100 degrees today. I’m trying to stay hydrated and indoors. I finished my blue crab painting today. David took the photo at our Mother’s Day crab boil. I added the plate and table cloth. This one has already been dinner.
This painting was only suppose to be practice for my encaustic crab. It turns out that I like it quite a bit. I put some embellishments on the plate with molding paste. I thought it would give the painting some texture and interest. I think I could have used just paint.
It is kind of fun to add molding paste. While it is wet, you can just scrape it off with a credit card or pallet knife. After it dries, it is hard as nails.
I like this version of the painting, too. I almost left it blocked out. I am happy I added the plate shadows and the table cloth. I stenciled the table cloth on with just paint.
This is the final painting.
I hope this summer finds you well. Try to stay cool. It’s OK to rest and take some time for yourself however you can manage that.
My newest painting is about alligators in love at Jazz Fest. I painted a similar painting a couple of years ago. The first Jazz Fest painting was inspired by a photo of my granddaughter, Maggie, and her cousin Lenny. They were dancing at Jazz Fest as part of a family reunion.
While the original painting was hanging in my living room, I fell in love with the composition. So when my daughter wanted that painting for her house, I decided to paint the same scene with alligators.
The grass has the shape of the whole world. The skywriting is really a thing at Jazz Fest… not so much the wildflowers.
The whole painting seems happy to me.
This one is a little different… taller grass, no purple flowers, more imaginative. I based the girl on Gator Ballerina just in case I want to include this painting in a traveling alligator book one day.
They are both large paintings, 30 x 40 inches. I will be making prints after the paintings are photographed.
Jazz Fest is a great adventure. If you haven’t been, I hope you can one day.
We have been fixing up my daughter and her fiancée’s back yard because people are coming into town for their wedding in a couple of weeks. They asked me to make a new table top for an old iron table. I love to paint furniture. And I extra love using resin. It makes everything so shiny and hard. My beer garden table that I resined two years ago still looks good in impossible Louisiana weather. The only downside of resin is the weight. It gets especially heavy if you try to encapsulate something, even glitter, that requires more than one pour.
They let me paint anything I wanted. That is my best kind of commission. I painted two birds that look like Katy and Gen. I put crowns on both of the women so they could both be queens. I took the photo before I poured the resin, because resin has too much reflection. The finished table is much shinier.
I was recently inspired by the words of Reda Rackley. I don’t know Reda in person. We are Facebook friends. She is also and artist. She wrote, “She took off her halo and wore it as a necklace.”
I have permission to use Reda’s words in my art.
I might have painted her too quickly because I felt I had to get her down on canvas. She reminds me of the recently elected women to Congress. I was also thinking of the powerful women’s march this year. That was before it was cancelled in New Orleans.
I like her urban-ness, her basic black, her deadpan stare. Her halo looks like glittery barbed wire.
She is not listed for sale anywhere. I will send her to you for $200 + shipping if you would like to have her around to inspire you in these tenuous times.
She is 16 x 20 inches, acrylic, glitter, varnish on canvas. You can email me at email@example.com.
This is my most recent painting. Yemaya, Goddess of the Ocean and the New Year. Click on the link and read all about her.
The Pussyfooters were invited to a Second Line and ceremony for Yemaya about 2 months ago (Fresh Johnson narrates the Second Line video and is a Pussyfooter). This was the first I had heard of Yemaya. We raised money by selling raffle tickets. It was the kind of raffle where you split the pot. Part of the money went for our police escort. You need to have a permit and police to close the streets for the Second Line. Part of the money went for the brass band. Part of the money went for women in Orleans Parish Prison who cannot post bail. Sometimes a woman is sent to the prison because of a traffic ticket that she cannot pay. She doesn’t have any money for bail, her kids are put in foster care, she loses her job, and she waits. Part of the money goes to the lucky winner whose name is drawn. In this case the lucky winner put her winnings in with the bail money. We raised $800.
We had a Second Line to the river where the leader said a beautiful prayer to Yemaya and made offerings of fruit. Eli Mergel took photos.
I wanted to paint Yemaya immediately. I love to paint women. I also like a goddess. I am donating the original painting to the raffle table at Blush Ball. Blush Ball is where the Pussyfooters raise the most money. Anyone can go to the Blush Ball. It costs $40 or $60 a ticket. With the $60 ticket you get in an hour early and drink for free for that hour. It is really fun. The Pussyfooters perform. There is a band and a DJ. And a raffle table where you will find an original Yemaya.
FYI, the Pussyfooters raise money all year for women and children. We usually raise between $20,000 and $30,000 in the year.
That took a lot of words to share my painting. I hope you like her.
Big Chief David Montana is on his way to Paris this morning. He is there to talk about a new documentary that is being filmed in France called Black Indians. (The link takes you to the film’s introduction.)
He is taking 20 prints of Flamingo Madness with him. I am so excited to have the prints traveling to France!
Derrick Hemphill of the Daily Commune has made all of this possible. If you go to his website, then “print services” you can buy a print. He does his own printing on beautiful paper. If you want to have him print something, I do recommend him. Derrick is the only one printing Flamingo Madness.
The Big Chief is also taking a sample piece of the flamingo suit to Paris for collectors. It is the same design as his original flamingo suit. I bought one to frame.
Here is a photo of the Big Chief in his pink flamingo suit. My friend Laura took the photo. She has a blog you might be interested in called L.A. to N.O.L.A. – Carnival, Concerts, Cuisine, Culture.
That is my big news for the day. Thanks for tuning in.