I am so pleased to share with you the last 10 paintings commissioned by the Children’s Hospital. I wish I kept up with my Etsy shop and my blog through this commission endeavor.
Luckily, I received a nice camera for my birthday in December. I watched some videos on YouTube to learn how to use it. I captured photos of most of the paintings that I still had at my house in 2020. Up until now I took all of my paintings to a professional photographer. The turn around was too fast to make an appointment a month or two out. I painted about one painting a month prior to doing this job. I painted 30 paintings in 6 months or 5 a month. I am a slow painter, so I painted pretty much every day until I was tired.
Here they are…
Alligator with Cocoa
Cat and Mouse
Lawn Party Continues. Featuring a toddler alligator.
Pig in cape.
I have prints of the Uptown Rabbit and Manatee. I will be ordering more prints, but I am not sure what yet. I am partial to the giraffe. I like the pink color in the elephant painting. It was a mixture of bubblegum pink ink and paint. I also like the yellow striped wall paper.
Happy Friday! I hope you are content sheltering in place.
I have completed twenty paintings for the Children’s Hospital!
The process of these ten paintings (11-20) have been a balance between what I want to paint and what I think the committee will like. I felt pretty sure of myself while painting the first 10. Then, some of the paintings were returned. That had never happened to me before. Originally, I was asked to paint diverse people and happy paintings. When the paintings were returned, I was asked to change the skin color on all of the children that I painted to rainbow colors. I tried to do this to make everyone happy. I changed some of the paintings, but it wasn’t feeling like my art.
I am feeling a little insecure and that makes it harder to paint. For the last 10, I need to paint what I want within the new parameters and not stress about it. So far, I painted a shotgun house and am working on a rainbow colored tween. I started to miss painting faces so much.
Here are 8 of the next ten. I accidentally erased Einstein Alpaca and The Bee. I especially liked the alpaca.
I have to say, I do miss the California coast when it is in the humid high 90’s in September in New Orleans… no rain in sight.
The porch table at the camp is finally damaged so much that we need a table cloth to play cards. I had a piece of wood left over from a project that is too heavy to hang on the wall. It was just the right size to replace the damaged table.
This is an aerial view of our camp on the Pearl River.
Here are the stages of the painting…
I sealed the new table top twice with Marine Coat. We are going to clamp it on with liquid nails.
The river is changing course and taking lots of our bank. I am still hopeful that someone will buy the camp and move the cabins back before they fall in the river. It is really lovely there. The cabins are adorable.
We buried St. Josephupside down, facing the cabins. I was sure this would do the trick and sell the camp. Maybe it will.
I am back to painting wall art. On the 18 x 36″ canvas right now is the beginning of a dog with a chicken on it’s head. One of my favorite themes is an animal riding on an animal. I don’t know why.
I hope wherever you live you are safe from climate change. I hope you are enjoying your life. I hope the best is yet to come.
The heat index is well over 100 degrees today. I’m trying to stay hydrated and indoors. I finished my blue crab painting today. David took the photo at our Mother’s Day crab boil. I added the plate and table cloth. This one has already been dinner.
This painting was only suppose to be practice for my encaustic crab. It turns out that I like it quite a bit. I put some embellishments on the plate with molding paste. I thought it would give the painting some texture and interest. I think I could have used just paint.
It is kind of fun to add molding paste. While it is wet, you can just scrape it off with a credit card or pallet knife. After it dries, it is hard as nails.
I like this version of the painting, too. I almost left it blocked out. I am happy I added the plate shadows and the table cloth. I stenciled the table cloth on with just paint.
This is the final painting.
I hope this summer finds you well. Try to stay cool. It’s OK to rest and take some time for yourself however you can manage that.
My newest painting is about alligators in love at Jazz Fest. I painted a similar painting a couple of years ago. The first Jazz Fest painting was inspired by a photo of my granddaughter, Maggie, and her cousin Lenny. They were dancing at Jazz Fest as part of a family reunion.
While the original painting was hanging in my living room, I fell in love with the composition. So when my daughter wanted that painting for her house, I decided to paint the same scene with alligators.
The grass has the shape of the whole world. The skywriting is really a thing at Jazz Fest… not so much the wildflowers.
The whole painting seems happy to me.
This one is a little different… taller grass, no purple flowers, more imaginative. I based the girl on Gator Ballerina just in case I want to include this painting in a traveling alligator book one day.
They are both large paintings, 30 x 40 inches. I will be making prints after the paintings are photographed.
Jazz Fest is a great adventure. If you haven’t been, I hope you can one day.
I was recently inspired by the words of Reda Rackley. I don’t know Reda in person. We are Facebook friends. She is also and artist. She wrote, “She took off her halo and wore it as a necklace.”
I have permission to use Reda’s words in my art.
I might have painted her too quickly because I felt I had to get her down on canvas. She reminds me of the recently elected women to Congress. I was also thinking of the powerful women’s march this year. That was before it was cancelled in New Orleans.
I like her urban-ness, her basic black, her deadpan stare. Her halo looks like glittery barbed wire.
She is not listed for sale anywhere. I will send her to you for $200 + shipping if you would like to have her around to inspire you in these tenuous times.
She is 16 x 20 inches, acrylic, glitter, varnish on canvas. You can email me at email@example.com.
This is my most recent painting. Yemaya, Goddess of the Ocean and the New Year. Click on the link and read all about her.
The Pussyfooters were invited to a Second Line and ceremony for Yemaya about 2 months ago (Fresh Johnson narrates the Second Line video and is a Pussyfooter). This was the first I had heard of Yemaya. We raised money by selling raffle tickets. It was the kind of raffle where you split the pot. Part of the money went for our police escort. You need to have a permit and police to close the streets for the Second Line. Part of the money went for the brass band. Part of the money went for women in Orleans Parish Prison who cannot post bail. Sometimes a woman is sent to the prison because of a traffic ticket that she cannot pay. She doesn’t have any money for bail, her kids are put in foster care, she loses her job, and she waits. Part of the money goes to the lucky winner whose name is drawn. In this case the lucky winner put her winnings in with the bail money. We raised $800.
We had a Second Line to the river where the leader said a beautiful prayer to Yemaya and made offerings of fruit. Eli Mergel took photos.
I wanted to paint Yemaya immediately. I love to paint women. I also like a goddess. I am donating the original painting to the raffle table at Blush Ball. Blush Ball is where the Pussyfooters raise the most money. Anyone can go to the Blush Ball. It costs $40 or $60 a ticket. With the $60 ticket you get in an hour early and drink for free for that hour. It is really fun. The Pussyfooters perform. There is a band and a DJ. And a raffle table where you will find an original Yemaya.
FYI, the Pussyfooters raise money all year for women and children. We usually raise between $20,000 and $30,000 in the year.
That took a lot of words to share my painting. I hope you like her.