It has been 2 months since I have blogged or done much of anything. I have had this monster brace on my right hand for that long. I can take it off for a short time now to do something easy like typing. I still have to wear it for almost everything else. It has been hard not to paint much or very well.
I had a cooking mishap. It was a big iron skillet full of zucchini. I was dumping the zucchini into a bowl with one hand because I felt invincible. I twisted my wrist and hurt the tendon.
I have been able to work on Maggie’s and my book for short stretches of time. It is pretty painful to hold the brush.
We don’t have the whole story yet. That will be our next step. We are thinking that I will paint the swamp girl and the alligator for continuity. Maggie will paint the manatee, turtle, nutria, etc. We are not sure who all will be in the book.
He offered to stretch his tail as high as he could to help her down out of the Cypress tree.
The idea so far is that Swamp Girl will wander into the swamp, become lost, and find a new friend.
I am ready to paint something to hang on the wall and sell. I like the idea of my paintings in people’s houses. It is a little isolating to paint pages in a future book.
I am trying my hand at a video. My weakest area in vlogging is setting up the camera (my phone). I have little patience for some things. Sometimes, in the video, I wish I had been more patient.
If you paint, Miskit is super fun. The little jar is $15 and if you use your 50% off one item at Michaels, it is $7.50 at checkout.
I have only used Miskit for watercolor before. When you watercolor, you have to save the white areas. It is not like acrylic paint, where you can just add white later. The reason I used Miskit with this painting, is that the face was small compared to the tool I was using. If I got the aftro paint on her face, it would take long time to get her skin color back the way it was. Also, I wanted to only think about the wig, not think about keeping her face clean. Lastly, it was super fun to use.
Can’t Stop the Feeling is a song we danced to all last season.
Tonight is the opening for Soul, Soul, Soul at the Old No. 77 Hotel. I have always wanted to have art in one of the shows there. 3 of my paintings were chosen this time. My friend, Cheryl Grace‘s work is the focal point. If you have time, come by and see the show. It will be there all through Jazz Fest. The hotel is beautiful and is connected to Compère Lapin.
A rainy Spring day is the perfect day to blog. These are the pages that are going out to local publishers. I would like to share the mock up, but the words are not mine to share. Also, it’s nice to have some anticipation.
I have a wish coming true. I have 3 paintings in the art show, Soul, Soul, Soul at the Old No. 77. The show starts on April 6 at 8 pm. It is a beautiful venue.
Were You There?is a large original painting 30 x 40 inches. I painted New Orleans as a statue, depicting the strength of stone. She is holding lilies in one arm signifying rebirth. In her raised hand she is spilling out golden sparkles of hope. Her wings are lined with broken glass. She has been through hell, and you can see it swirling around her in darkness. The words are from a spiritual that is traditionally sung during the stations of the cross at Easter. I replaced he with she in the song.
In New Orleans,Mardi Gras Indians are revered. It is always a pleasure to see them perform. In tribute to this tradition, I painted an Indian using mostly acrylic paint, then I beaded him by sewing individual beads and sequins on the canvas. It is 16 by 20 inches.
I choose to paint Big Freedia because I was part of the Guinness Book of World Records for Twerking in 2014. The crown is based on Queen Elizabeth’s crown.
Big Freedia was the star of that contest. She is beautiful and her personality is bigger than the sky. This painting is 16 x 20 inches.
I have a lot more to blog, but I don’t want to overwhelm. Stay tuned!
My cousin, Lisa asked me to paint a new Pussyfooter painting. It seems like a reasonable request because the Pussyfooters have new costumes. We look like superheroes with a “P” on the back of our capes. Lisa is on the costume committee. She is a braver woman than I am.
You can see a pretty good picture of the cape in the first photo. Lots of people took their capes off that day because it was so hot. She has her cape tied around her waist. You can see our logo.
The second photo shows our new pieces.
The painting is in the half done ugly-ish stage. I think I will just show parts of the painting this week.
Painting the Pussyfooters this year is different from the last time I painted Pussyfooters. After 5 seasons, I can feel what it is like being in a parade while I am painting. I am tempted to have a zipper busted open or sweat riveting off a body. I choose to try and capture the joy (for now).
This is the only part I am totally happy with so far. It is a bit small. This will be an afro wig and a tinsel wig. The women are close together, but really they should be an arms length apart. I think it will be called “Let’s Dance”.
A fabulous Mardi Gras came and went in the Crescent City. The weather was in the 70’s and breezy. The weather is kind of a big deal, because whether you are in a parade or watching one, you are outdoors for many, many hours. I am always amazed that I can finish a parade. It turns out to be around 17 miles when you count all of the dancing in place when the parade stops. (Some of the women had Fitbits.)
Here are the Pussyfooters during a pause in Femme Fatale. Eli Mergel took the photo. (click on “Eli Mergel” to see lots of wonderful photography.) There are about 120 Pussyfooters in total. About 50 women did this parade.
This is my sweet darlin’ and me on Mardi Gras day. We parked across the river and took the ferry. Excellent idea.
I revised two pages for the Not-Yet-Revealed author. I like both pages better now.
Pop is dressed more maturely. He is also wearing a wedding ring.
Poppee has grey hair and his goatee is narrower and longer. I like Poppee better, too. I made his eyebrows less prominent while I was adjusting his look. I appreciate a man with good grooming.
I think there is a pause here with the book. I am going to schedule photos of the first 5 pages. The author is going to send these beginning pages to publishers. I hear that publishers want to see 3-5 pages. I hope a publisher is going to love the book and grab it up without too many changes. I will let you know as soon as I do.
Today is the first day of Lent. I am just going to try to be an all around better person. Like making a conscious effort to be more Zen and less reactive.
This is me on the front page of the Times-Picayune! (I must be excited because I already used 3 exclamation marks.) ThePussyfooterswere the first women’s dance troupe. We started in 2001. My favorite parts about being a Pussyfooter, aside from becoming famous, are that I dance for women who can’t and we raise money every year for the Metropolitan Center for women and children. This year we raised $38,000.
Page 5 of the book is Poppee.
He is grandpa to the baby.
In the painting are some New Orleans icons. On the shelf behind Poppee are cups from . Coffee with chicory and beignetsare often the first stop in the French Quarter for visitors to our city. It is open 24 hours.
He is stirring a pot of gumbo and holding a gumbo bowl, with a smaller pot for white rice on the other burner. Next to the stove top are an onion, green bell pepper, and celery. These three vegetables are called the Holy Trinity. The trinity is in most New Orleans dishes… jambalya, étouffée, gumbo…
I wanted to capture the love in Poppee’s expression when baby walks into the room. I like the repeating rectangle pattern in the basket and bricks. I was going to paint Poppee’s shirt in a check print, but thought that would be too distracting. (I still want to.) My favorite parts of the painting are the cups and the trinity.
Poppee is the last of the human characters in the book. You have met them all now.
Here is page 4. Tia is Spanish for aunt. Maybe it is her first name, too? Tia is the baby’s aunt. That’s what I know for sure.
I think baby takes after momma in coloring, but I see Tia in her face.
Tia is listening to music in the kitchen. I did want to make sure Tia wasn’t dancing with the mop or ironing. Even though those stereotypes are etched in my brain, I am trying to break free. She just stopped by the kitchen for a cup of coffee. Probably one of the men took care of that other stuff.
I put in my favorite laminate table from the 1950’s. Baby is too short to see the top of the table, so I put the table top design that I wanted to paint on the cup. You can see the same magnolia bead tree from the garden out the window.
The New Orleans things on this page are only the bead tree and music. The window and the paint color are also typical New Orleans.
I try to keep the family to a moderate income. That’s why the table is her grandma’s and her headphones have a cord.
The painting part is straight forward. When the picture needs some very small details, I use a paint pen or intense pencils. Often I go over this with a brush. I liked the tree better when it was bright green, but I thought there needed to be glass in the window. I mixed a half drop of Golden Titanium White into some matte varnish. I painted the window panes 2 or 3 times with this mixture. I think it looks a little wavy like old glass.