I hope you are having a good summer. I heard that someone, somewhere is enjoying a soft cool breeze. That would sure be nice.
I am trying out painting with oil paints. I have been painting with acrylic paints for about 15 years. My limited experience with oil painting has been very different from acrylic painting.
I tried painting a beagle in oil paint. I saw a cute photo on Instagram that my daughter’s friend posted. He said his dog was “throwing shade at the dog park”. I loved the phrase. So this is Remington in oil.
I had an idea to paint another beagle in acrylic paint to compare my experience. My sister-in-law has a beagle that she loves. I asked her to send me two or three photos. So this is Buddy in acrylic paint.
It was challenging to paint with oil. The good news is that it stays wet a long time. The bad news is it stays wet for a long time. I just walked into the studio in my street clothes and got paint on my shirt.
With oil there are a few days between coats. I tried adding Gamblin Cold Wax Medium to give the paint more thickness. I liked how the brush strokes were more apparent… like dog hair. I tried adding Gamblin Galkyd Lite to make the paint dry faster. It also thins the paint. I used Galkyd mixed with the paint when I painted Remy’s eyes. It is harder for me to achieve detail with oil.
Because the oil paints stay wet, I put my hand on the painting and did a lot of smearing. I waited until the paint dried and fixed the smears (many times).
What I really love is the brightness and richness of the oil paint.
I feel comfortable with acrylic paints. They suit my impatience. I have experience with the mediums I can use with acrylic paint to achieve what I want. I used Golden Extra Heavy Molding paste to make raised letters on the dog blanket. It took about the same time to complete each painting. They look very different. Buddy has many layers of different colors. Remmy is striking. He reminds me of a super hero.
My analysis is… I will use the paint that will achieve the affects I desire. I am not giving up on oil paint too soon.
If you have any thoughts on oil vs acrylic paint. I would love to hear them.
It’s a beautiful day here in New Orleans. Just a quick post to share the companion piece to James Booker. Cool Cat.
Cool Cat is 16 x 20 inches. I used the same color pallet as for James Booker, but went heavier on the reds and yellows.
James Booker is much larger at 30 x 40 inches.
Tonight is the opening for Art of Flavor at the Old No. 77. It is beautiful there. The Old No. 77 is a restaurant, bar, hotel and gallery. Where Y’Art and the Old No. 77 do a top-notch job putting it all together. Nina Compton, Chef at Compère Lapinand Abigail Gullo, bartender at Compère Lapin are curating. I’m excited.
Flamingo Madness and Counting Her Chickens were chosen to be in the show.
It has been pretty fabulous at Gator Girl Art lately. I will tell you this one tale…
I was at my agent, Derrick Hemphill’s house. (Cool, huh?) He was having an open house to introduce his huge, new printer. While I was there, I asked Derrick if he could get permission for me to paint a Mardi Gras Indian. He knows a lot of people and he grew up in the Treme.
Right away, he asked his mother to go down stairs and get Big Chief David Montana. This threw me right out of my comfort zone. I never thought of painting a Big Chief. He came upstairs and he agreed to let me to paint him. I also, got to see his house, the suit he is working on, and lots of photos.
This is all so cool. Google him. He’s famous.
I chose to paint him in a pink suit. He let me borrow a reference photo.
So, I haven’t yet continued with my New Orleans Musician series. I still have several large canvases gessoed in black and ready to go.
I started on a 30 x 40 inch canvas. I painted the border in Golden Alizarin Crimson. Then I painted the entire canvas, including the border in Old Holland Iridescent Carmine. It is a vivid crimson… a beautiful pink.
Here is the finished painting (as far as I know).
It is a little tilted on purpose. I was worried about all of the little feathers, but they turned out really fun to paint. I used a fan brush and loaded it with three colors of pink. I used The Chief as the light source. I am a little proud of that idea.
This is the first year that we stayed in New Orleans for Christmas. We tried to do some fun activities that happen only during the holiday. Mostly we ate out.
This is what I think I know… The bon fires go on for 3 miles. They need a permit and have a maximum height of 15 feet. They all start at 7 pm on Christmas Eve, wind permitting. This is a tradition going back a 100 years or more. The reasons vary, and my favorite version is that the bon fires light the way for Santa Claus.
Saint James Parish is about 30 minutes west of New Orleans. It took well over an hour to get to the river on Christmas Eve. We went to Paulina to see the beginning of the bon fires, then we drove through Lutcher and Gramercy.
It’s dark, so you can only see the structures in front of you.
The arrow is pointing down river. All of the lights on the levee are bon fires.
This is a close up.
Now you can listen to it. Most structures are full of fire crackers, and people shoot off BIG fireworks. I took these photos with my phone…
It’s very cold here. Cold for us. Because most of the houses are raised 3 or so feet when it freezes our pipes freeze and sometimes break. We keep a trickle of water running in our faucets and hoses. Sometimes the pipes still break.
This is my first large painting in the series New Orleans Musicians. I think I will paint six. The musicians will be close up and I am planning on putting their instrument somewhere in the painting. There might be a corresponding cool cat painting. We’ll see.
James Booker was one cool guy. You can watch a movie called Bayou Maharaja on Netflix. I think the movie has all the footage ever filmed of James Booker. I am not very musical, but even I can tell his piano playing is amazing.
I am historically terrible at following through on a series. I have three 30×40 inch canvases gessoed in black to encourage me.
I love this painting. It pretty much painted itself. Maggie and Raffi found a bunch of frames out with the trash near their school. I thought the frame looked like pelican feathers. I washed it, added some glue at the joints, and oiled it.
Katy cut a piece of 1/4 inch plywood for me. I painted on 3 coats of black gesso. For the feathers, I applied the paint fairly thick, starting with darker colors and going lighter. Long strokes for the body and short strokes for the head. I applied 3 coats of varnish to finish.
I am sharing my secret feather tool. They are“Not quite a brush. Not quite a palette knife. Princeton Catalyst Blades and Mini-Blades are crafted from flexible silicone to give artists exciting new tools for expression. Mounted on artist brush handles, they offer a unique blend of tradition and innovation.” (I am not an affiliate, just a fan.)
The Pelican is 16 x 20 inches. I am selling it for $500. If you read my blog, I will let you have it for $400 (plus shipping), because I think you should be rewarded for reading my blog.
I am starting an email list. You might be asking yourself, “What are the benefits of getting an email update?” Emails will be short and to the point, infrequent, you will see my new paintings first and sometimes receive incentives that will not be offered anywhere else. Send me your email address at firstname.lastname@example.org.
I am back to painting the book, Hey. So, I’m a Baby.