I hope you are having a good summer. I heard that someone, somewhere is enjoying a soft cool breeze. That would sure be nice.
I am trying out painting with oil paints. I have been painting with acrylic paints for about 15 years. My limited experience with oil painting has been very different from acrylic painting.
I tried painting a beagle in oil paint. I saw a cute photo on Instagram that my daughter’s friend posted. He said his dog was “throwing shade at the dog park”. I loved the phrase. So this is Remington in oil.
I had an idea to paint another beagle in acrylic paint to compare my experience. My sister-in-law has a beagle that she loves. I asked her to send me two or three photos. So this is Buddy in acrylic paint.
It was challenging to paint with oil. The good news is that it stays wet a long time. The bad news is it stays wet for a long time. I just walked into the studio in my street clothes and got paint on my shirt.
With oil there are a few days between coats. I tried adding Gamblin Cold Wax Medium to give the paint more thickness. I liked how the brush strokes were more apparent… like dog hair. I tried adding Gamblin Galkyd Lite to make the paint dry faster. It also thins the paint. I used Galkyd mixed with the paint when I painted Remy’s eyes. It is harder for me to achieve detail with oil.
Because the oil paints stay wet, I put my hand on the painting and did a lot of smearing. I waited until the paint dried and fixed the smears (many times).
What I really love is the brightness and richness of the oil paint.
I feel comfortable with acrylic paints. They suit my impatience. I have experience with the mediums I can use with acrylic paint to achieve what I want. I used Golden Extra Heavy Molding paste to make raised letters on the dog blanket. It took about the same time to complete each painting. They look very different. Buddy has many layers of different colors. Remmy is striking. He reminds me of a super hero.
My analysis is… I will use the paint that will achieve the affects I desire. I am not giving up on oil paint too soon.
If you have any thoughts on oil vs acrylic paint. I would love to hear them.
There was an open house at theBell Artspace Campuslast week. It is really an amazing place. All kinds of artists live there… painters, writers, photographers, Indians… Each floor has a beautiful gallery. This is the main building.
Affordable housing for artists is important. Housing costs are more and more expensive in New Orleans. Many of the people who make New Orleans what it is have a hard time living here.
They really did a nice job with the open house. It was all free, including delicious food from the food trucks. I had to leave early, but I saw a performance by the Washitaw Nation and
Big Chief David Montana.
A print of my painting of the Big Chief is hanging in one of the Artspace galleries. The prints are for sale now. 8 x 10 inch limited edition prints are $35 on nice paper.
16 x 20 limited edition prints on canvas are $200. The original painting is 30 x 40 inches and is still available for 1500. Big Chief David Montana will sign the original painting if you want.
This is pretty cool.
Check out the Puppet Painter. The more I look into Sierra’s work the more amazed I am.
This is a small representation of a fabulous place. If you hear of something going on there, say yes!
It’s a beautiful day here in New Orleans. Just a quick post to share the companion piece to James Booker. Cool Cat.
Cool Cat is 16 x 20 inches. I used the same color pallet as for James Booker, but went heavier on the reds and yellows.
James Booker is much larger at 30 x 40 inches.
Tonight is the opening for Art of Flavor at the Old No. 77. It is beautiful there. The Old No. 77 is a restaurant, bar, hotel and gallery. Where Y’Art and the Old No. 77 do a top-notch job putting it all together. Nina Compton, Chef at Compère Lapinand Abigail Gullo, bartender at Compère Lapin are curating. I’m excited.
Flamingo Madness and Counting Her Chickens were chosen to be in the show.
It has been pretty fabulous at Gator Girl Art lately. I will tell you this one tale…
I was at my agent, Derrick Hemphill’s house. (Cool, huh?) He was having an open house to introduce his huge, new printer. While I was there, I asked Derrick if he could get permission for me to paint a Mardi Gras Indian. He knows a lot of people and he grew up in the Treme.
Right away, he asked his mother to go down stairs and get Big Chief David Montana. This threw me right out of my comfort zone. I never thought of painting a Big Chief. He came upstairs and he agreed to let me to paint him. I also, got to see his house, the suit he is working on, and lots of photos.
This is all so cool. Google him. He’s famous.
I chose to paint him in a pink suit. He let me borrow a reference photo.
So, I haven’t yet continued with my New Orleans Musician series. I still have several large canvases gessoed in black and ready to go.
I started on a 30 x 40 inch canvas. I painted the border in Golden Alizarin Crimson. Then I painted the entire canvas, including the border in Old Holland Iridescent Carmine. It is a vivid crimson… a beautiful pink.
Here is the finished painting (as far as I know).
It is a little tilted on purpose. I was worried about all of the little feathers, but they turned out really fun to paint. I used a fan brush and loaded it with three colors of pink. I used The Chief as the light source. I am a little proud of that idea.
This is the first year that we stayed in New Orleans for Christmas. We tried to do some fun activities that happen only during the holiday. Mostly we ate out.
This is what I think I know… The bon fires go on for 3 miles. They need a permit and have a maximum height of 15 feet. They all start at 7 pm on Christmas Eve, wind permitting. This is a tradition going back a 100 years or more. The reasons vary, and my favorite version is that the bon fires light the way for Santa Claus.
Saint James Parish is about 30 minutes west of New Orleans. It took well over an hour to get to the river on Christmas Eve. We went to Paulina to see the beginning of the bon fires, then we drove through Lutcher and Gramercy.
It’s dark, so you can only see the structures in front of you.
The arrow is pointing down river. All of the lights on the levee are bon fires.
This is a close up.
Now you can listen to it. Most structures are full of fire crackers, and people shoot off BIG fireworks. I took these photos with my phone…
It’s very cold here. Cold for us. Because most of the houses are raised 3 or so feet when it freezes our pipes freeze and sometimes break. We keep a trickle of water running in our faucets and hoses. Sometimes the pipes still break.
This is my first large painting in the series New Orleans Musicians. I think I will paint six. The musicians will be close up and I am planning on putting their instrument somewhere in the painting. There might be a corresponding cool cat painting. We’ll see.
James Booker was one cool guy. You can watch a movie called Bayou Maharaja on Netflix. I think the movie has all the footage ever filmed of James Booker. I am not very musical, but even I can tell his piano playing is amazing.
I am historically terrible at following through on a series. I have three 30×40 inch canvases gessoed in black to encourage me.